What's on
eavesdropping festival 2025
27-30 March 2025: Cafe OTO, London
(more info coming very soon)
about our activity
FESTIVAL
The eavesdropping festival is a riotous four-day deep-dive into new sounds and fresh thinking held at Cafe OTO in Dalston, East London.
Over the course of four evening events, each a double-bill, eight performers present their latest works or works-in-progress in an intimate and informal setting. The programming within each set is artist-led: repertoire is only announced on the night, giving the performers the control and the flexibility to present whatever serves them best and giving the public special insight into the performer's freshest work. We aim to stimulate your ears and your imagination by presenting a surprising collection of artists working at the experimental fringes of a variety of musical genres.
Woven through the festival are talks, discussions and workshops, giving an opportunity for local and visiting artists alike to reflect together on a given topic. Weighty talks given by our invited guest speakers sit alongside shorter presentations/performances/proposals gathered through a Call for Provocations, and the programme is punctuated by roundtable panels and discussions. The vibe is low-key and friendly, whilst definitely being thought-provoking.
NEXT FESTIVAL: 27-30 MARCH 2025
PODCAST
Every season Juliet sits down with each of the featured artists and chews the fat. The 'eavesdropping conversations' podcast provides a glimpse into each artist's practice ahead of their performance and very often wanders off into unexpected territory... With 29 episodes and counting, this is a fascinating archive of intimate reflections.
Search for 'eavesdropping.london' on your podcast platform, or find us on SoundCloud.
OUTPOST EVENTS
Beyond the festival, we create platforms for our artists through partnerships with other organisations.
FORTHCOMING OUTPOST EVENTS
to be announced
PAST OUTPOST EVENTS
eavesdropping at The Arnolfini, Bristol
4 October 2024: Eliza McCarthy & Marlo De Lara
Bonjour Claude's Scratch night
27 September 2024: Levenshulme Old Library, Manchester
Inspired by and in assocation with eavesdropping, Bonjour Claude aim to connect experimental artists working across various disciplines in Manchester.
eavesdropping at The Red House, Aldeburgh
14 April 2023: Cevanne Horrocks-Hopayian
19 May 2023: Ryoko Akama
28 July 2023: Rihab Azar
eavesdropping at The Pumphouse, Aldeburgh
19 June 2022: Lucie Treacher & Sophie Fetokaki
ARTIST DEVELOPMENT
We also provide artist development opportunities for people engaged in the business of making, performing, writing or thinking about music.
Our recent highlight has been VOICEBOX, a brand-new initiative offering a bespoke curriculum for advanced singers specialising in contemporary vocal performance. It is delivered over the course of a year (2023-4), broken into four intensive residency periods that are hosted by partner organisations around the UK.
VOICEBOX SHOWCASE PERFORMANCES
17 August 2024: VOICEBOX: UNBOUND, Snape Maltings, Suffolk
15 September 2024: VOICEBOX: SHOWCASE Cafe OTO, London
In previous years and in partnership with TONIC Theatre we have offered fully subsidised workshops on Unconscious Bias, Race and Allyship, and Making Space for Making Change.
SURVIVAL KIT
Inspired by Sara Ahmed's 'Killjoy Survival Kit' (in her book Living a Feminist Life) we have put together some resources to sustain and strengthen the eavesdropping community. One inspired the very creation of eavesdropping; all have inspired significant conversations or new strands to our activity, and may help you as makers of music, thinkers of bold ideas and harbingers of marvellous change. Click here to explore our survival kit.
NICE THINGS WRITTEN ABOUT US IN THE PRESS
'Many festivals claim to be accessible or welcoming to all; few practice that ambition quite so assiduously.'
Tim Rutherford-Johnson, The Wire
'eavesdropping is a testament to the importance of experimentation: to have space to try new ideas, approach artistry with curiosity, and transcend the labels we often put on new music. In terms of curation, the festival lets the artist be in control, and the forum in particular was a unique counterbalance to the stark differences in performance practice throughout the four days. Uniting it all was a sense of openness from the performers and presenters – both in sharing their personal lives and their artistic processes – which left me with a sense of hope for a future in which experimentation is nurtured more broadly in the field of new music.'
Michelle Hromin, I Care If You Listen
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